{"id":50,"date":"2013-12-13T13:25:15","date_gmt":"2013-12-13T21:25:15","guid":{"rendered":"http:\/\/www.hmc.edu\/hsa\/?page_id=50"},"modified":"2024-03-26T15:57:52","modified_gmt":"2024-03-26T22:57:52","slug":"scholarly-activity","status":"publish","type":"page","link":"https:\/\/www.hmc.edu\/hsa\/faculty-staff\/balseiro\/scholarly-activity\/","title":{"rendered":"Scholarly Activity of Isabel Balseiro"},"content":{"rendered":"\n

Books<\/h2>\n\n\n\n
\"Book<\/figure>\n\n\n\n
\"book<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"Balseiro<\/figure>\n\n\n\n
\"Book<\/figure>\n\n\n\n

Book Chapter<\/strong><\/h2>\n\n\n\n

\u201cGender Identity and the Reconstruction of the Self.\u201d Twentieth Century Criticism Literature on A Question of Power<\/em>, edited by Lawrence Trudeau, Layman Publishing Group. (forthcoming)<\/p>\n\n\n\n

Book Preface<\/strong><\/h2>\n\n\n\n

Preface. Book of the Missing,<\/em> by Heidi Grunebaum<\/a>, Praxis Magazine Online, p. 1. (2019)<\/p>\n\n\n\n

Journal Articles<\/h2>\n\n\n\n

Balseiro, Isabel, et al. \u201cAdjuncts in Higher Education in the United States.\u201d Education<\/em>, 21 Jan. 2016. Oxford Bibliographies: Education<\/em>, doi:10.1093\/OBO\/9780199756810-0136<\/p>\n\n\n\n

\u201cExile and Longing in Abderrahmane Sissako’s La Vie sur terre<\/em>\u201d<\/a>, Screen,<\/em> Volume 48, Number 4 (2007): 443-461<\/p>\n\n\n\n

Translations<\/strong><\/h2>\n\n\n\n

\u201cSouthbound: leaving Chicago by Greyhound.\u201d HERM\u0112NEUS: Journal of Translation and Interpreting<\/em>, by Rustum Kozain, vol. 18, no. 1, pp. 398-402. (2016)<\/p>\n\n\n\n

\u201cFor W.\u201d HERM\u0112NEUS: Journal of Translation and Interpreting<\/em>, by Rustum Kozain, vol. 18, no. 1, pp. 403-406. (2016)<\/p>\n\n\n\n

\u201cFebruary Moon: Cape Town.\u201d HERM\u0112NEUS: Journal of Translation and Interpreting<\/em>, by Rustum Kozain, vol. 18, no. 1, pp. 407-413. (2016)<\/p>\n\n\n\n

\u201cFunk.\u201d HERM\u0112NEUS: Journal of Translation and Interpreting<\/em>, by Rustum Kozain, vol. 18, no. 1, pp. 413-415. (2016)<\/p>\n\n\n\n

\u201cMemory of Revolutions.\u201d HERM\u0112NEUS: Journal of Translation and Interpreting<\/em>, by Rustum Kozain, vol. 18, no. 1, pp. 415-419. (2016)<\/p>\n\n\n\n

Book Reviews<\/h2>\n\n\n\n

Review of La puerta peque\u00f1a<\/em>, by Carlo Fabretti and Patricia Metola. Lazarillo: Revista de la Asociaci\u00f3n Espa\u00f1ola de Amigos del Libro Infantil y Juvenil<\/em>, vol. 33, no. 1, p. 25. (2015)<\/p>\n\n\n\n

Review of Tan tarde<\/em>, by Giovanna Zoboli and Camilla Engman. Lazarillo: Revista de la Asociaci\u00f3n Espa\u00f1ola de Amigos del Libro Infantil y Juvenil<\/em>, vol. 33, no. 1, p. 18. (2015)<\/p>\n\n\n\n

\"Cover<\/a>
En (el) imperio de (los) sentidos<\/em>. Daniel Torres. (San Juan: Isla Negra, 2013). El Post-Antillano<\/em>. San Juan, Puerto Rico. (2014)<\/figcaption><\/figure>\n\n\n\n
\"immigrant-america\"<\/a>
Immigrant America: A Portrait.<\/em> Alejandro Portes and Ruben Rumbaut. (Berkeley: University of California Press, 2006). Reviewed the book for an updated and expanded edition (2014).<\/figcaption><\/figure>\n\n\n\n
\"cinema-democratic-sa\"<\/a>
Cinema in a Democratic South Africa: The Race for Representation<\/em>. Lucia Saks (Bloomington: Indiana University Press, 2010). The International Journal of African Historical Studies<\/em>, volume 44, Number 1 (2011).<\/figcaption><\/figure>\n\n\n\n

Peer Reviewer<\/h2>\n\n\n\n

African Studies<\/em><\/p>\n\n\n\n

Black Camera<\/em><\/p>\n\n\n\n

Feminist Studies<\/em><\/p>\n\n\n\n

Gestos: Revista de teor\u00eda y teatro hisp\u00e1nico<\/em><\/p>\n\n\n\n

Heinemann Press<\/p>\n\n\n\n

Higher Education Quarterly<\/em><\/p>\n\n\n\n

International Journal of Intercultural Relationships<\/em><\/p>\n\n\n\n

Journal of African Cultural Studies<\/em><\/p>\n\n\n\n

Journal of the Musical Arts in Africa<\/em><\/p>\n\n\n\n

Men and Masculinities<\/em><\/p>\n\n\n\n

New Directions in the Humanities Journal Collection<\/em><\/p>\n\n\n\n

PMLA<\/em><\/p>\n\n\n\n

Routledge<\/p>\n\n\n\n

Screen<\/em><\/p>\n\n\n\n

SUNY Press<\/p>\n\n\n\n

The Arts Collection<\/em><\/p>\n\n\n\n

The International Journal of the Book<\/em><\/p>\n\n\n\n

University of California Press<\/p>\n\n\n\n

University of Manchester Press<\/p>\n\n\n\n

Conference Participation<\/h2>\n\n\n\n

\u201cMistress of Her Own Silences: The Transatlantic Poetry of Mar\u00eda Acu\u00f1a.\u201d The Poetics of Memory, Modern Languages Association International Symposium, Lisbon, Portugal. (2019)<\/p>\n\n\n\n

\u201cLa edici\u00f3n musical en el siglo XXI en Espa\u00f1a y Portugal.\u201d Encuentro Hispano-Luso de Editores Musicales, Asociaci\u00f3n Espa\u00f1ola de Documentaci\u00f3n Musical, Madrid, Spain. (2016)<\/p>\n\n\n\n

\u201cThe Next Wave: Effecting Change Through Applied Women\u2019s Studies.\u201d The Claremont University 15th<\/sup> Anniversary Celebration, Claremont, CA. (2016)<\/p>\n\n\n\n

\u201cSemifictional Representation in Cinema.\u201d SEMIOSFERAS: Congreso internacional sobre cine, literatura, m\u00fasica y artes esc\u00e9nicas, Universidad de Alcal\u00e1, Alcal\u00e1 de Henares, Spain. (2015)<\/p>\n\n\n\n

Invited speaker: \u201cDigitizing the Vernacular: Zora Neale Hurton in Digital Humanities.\u201d Bite of Learning Series, Harvey Mudd College, Claremont, CA. (2018)<\/p>\n\n\n\n

Film Work<\/h2>\n\n\n\n

Cinema Workshops<\/h3>\n\n\n\n

Selected for week-long workshop on painting and cinema with Spanish director V\u00edctor Erice. Talleres de Escritura Fuentetaja, Madrid, Spain. (2018)<\/p>\n\n\n\n

Selected for week-long workshop on fiction and documentary film with Spanish director V\u00edctor Erice. Nautilus Films, Madrid, Spain. (2016)<\/p>\n\n\n\n

Festival Participation<\/h3>\n\n\n\n

SANBONANI! Film Festival 2018, Pomona College, Claremont, CA. Participant. (2018)<\/p>\n\n\n\n

Maruleng Film Festival\/Limpopo Marula Festival, Limpopo Province, South Africa. International Patron. (2017)<\/p>\n\n\n\n

Festival Internacional de Cine de Murcia – Ibn Arabi International Film Festival (IBAFF), Murcia, Spain. Participant. (2016)<\/p>\n\n\n\n

Recent Spanish Cinema, American Cinematheque, Los Angeles, CA. Participant. (2014)<\/p>\n\n\n\n

Documentary Film<\/h3>\n\n\n\n
\"Cover<\/a><\/figure>\n\n\n\n

Featured in Lloyd Ross’s documentary An American in Sophiatown<\/em> (2007) as film historian. Wrote inter-titles for the film that serve to contextualize the history of apartheid for an international audience. The documentary premiered at the American Film Institute International Film Festival in Dallas in March 2007. It was also screened at the Bologna Film Festival, Italy, in the summer of 2007. An American in Sophiatown<\/em> is to be included in the release of the newly restored DVD version of Lionel Rogosin\u2019s Come Back Africa<\/em>(forthcoming).<\/p>\n\n\n\n

Script Consultant<\/h3>\n\n\n\n

\u201cThe Village under the Forest,\u201d full-length documentary film by Mark Kaplan and Heidi Grunebaum (2014). Audience Award, ENCOUNTERS South African Documentary Film Festival, 2013, and Official Selection TRI CONTINENTAL Human Rights Film Fesival, 2013.<\/p>\n\n\n\n

\"village-under-forest\"<\/a><\/figure>\n\n\n\n

Voiceover<\/h3>\n\n\n\n
\"primate-cinema\"<\/a><\/figure>\n\n\n\n

Voiceover narration for \u201cPrimate Cinema: Apes as Family,\u201d by Rachel Mayeri. Experimental film screened at Nottingham Contemporary, 2011, The Arts Catalyst, London, 2011, AND Festival, Liverpool, 2011, Prix Ars Electronica, Austria, 2011, Imagine Science Film Festival, 2012, Sundance Film Festival, Utah, 2013 (New Frontier Short Films category), Rockland Shorts: An International Short Film Series, 2013, and Berlinale Film Festival, 2013. Los Angeles premi\u00e8re at Cinefamily, February, 2013.<\/p>\n\n\n\n

Film Market Forum<\/h3>\n\n\n\n

In attendance,\u201cMadrid de Cine,\u201d Spanish Film Screenings, Madrid, Spain, 2012. An international television market that aims to offer a platform for the trade in film and television productions in a European context. Filmmakers, producers, distributors, and critics participate in the gathering.<\/p>\n\n\n\n

International Advisory Board<\/h2>\n\n\n\n
\"Cover<\/a><\/figure>\n\n\n\n

Journal of African Cultural Studies<\/em>, School of Oriental and African Studies (SOAS), University of London. (2012-2018)<\/p>\n\n\n\n

International Professional Service<\/h2>\n\n\n\n

Research team, \u201cThe Emotional Body: The Cultural, Textual and Traductological Rhetoric of Emotion and Feeling as an Epistemic Source in American Literature by Women,\u201d Universidad Aut\u00f3noma de Madrid. Collaboration with colleagues from CUNY, Rutgers University and University of Bremen. (2020-)<\/p>\n\n\n\n

Scholar evaluator, National Research Foundation of South Africa. Also occupied position during 2007-2008. (2013-2014)<\/p>\n\n\n\n

International Book Award Selection Committee, Faculty of the Arts, University of the Western Cape. (2013)<\/p>\n\n\n\n

Photography<\/h2>\n\n\n\n

“Anthropologist at work, Campinas, Brazil.” In Barbara D. Miller’s Cultural Anthropology<\/em>. (Pearson, 2013) (7th edition of text with a circulation of up to 40,000; also an e-book).<\/p>\n\n\n\n

Front cover photograph for the American Anthropological Association Anthropology News<\/em>, Volume 48, Number 2, February 2007.<\/p>\n\n\n\n

Archival Research<\/h2>\n\n\n\n

Fondo Documental de Radio Televisi\u00f3n Espa\u00f1ola (Spanish Radio and Television National Archive) (2011-)<\/p>\n\n\n\n

Centre for African Studies, University of Cape Town, South Africa (1996-2016)<\/p>\n\n\n\n

Filmoteca Espa\u00f1ola (National Film Institute) (2012-)<\/p>\n\n\n\n

Biblioteca Nacional de Espa\u00f1a (National Library of Spain) (2012-)<\/p>\n\n\n\n

Fundaci\u00f3n Francisco Largo Caballero (Francisco Caballero Foundation) (2011)<\/p>\n\n\n\n

Centro Documental de la Memoria Hist\u00f3rica (Historical Memory Documentation Center) (2011)<\/p>\n\n\n\n

Archivo General de la Guerra Espa\u00f1ola (Spanish Civil War National Archive) (2011)<\/p>\n\n\n\n

(1996-2016)<\/strong><\/p>\n\n\n\n

Research Grants<\/h2>\n\n\n\n

Avery Fellowship, Claremont Graduate University. (2020-2021)<\/p>\n\n\n\n

Fletcher Jones Summer Research Fellowship, Harvey Mudd College. (2020)<\/p>\n\n\n\n

Summer Research Creative Work Award, Harvey Mudd College. (2020)<\/p>\n\n\n\n

Mudd European Travel Fund, Harvey Mudd College. Also awarded in 2019. (2020)<\/p>\n\n\n\n

Presidential Grant, Harvey Mudd College. (2019)<\/p>\n\n\n\n

Mellon Foundation Presidential Leadership Grant for Course Development, Harvey Mudd College. Also awarded in 2016. (2018)<\/p>\n\n\n\n

Carnegie Foundation Research Grant in the Humanities Social Sciences and the Arts, Harvey Mudd College. (2018)<\/p>\n\n\n\n

Brian Butler \u201989 Faculty Enhancement Fund Research Award, Harvey Mudd College. (2017-2018)<\/p>\n\n\n\n

Arnold and Mabel Beckman Foundation Research Award, Harvey Mudd College. Also awarded yearly from 1993 through 2004 and from 2013 through 2016. (2017-2018)<\/p>\n\n\n\n

Multi-Campus Teaching Observation Program, Claremont Colleges Center for Teaching and Learning. (2017)<\/p>\n\n\n\n

Harvey S. Mudd Memorial Fund, Harvey Mudd College. Also awarded in 1994, 1998, 2000, and 2006. (2016)<\/p>\n\n\n\n

HISPANEX Program Grant, Spanish Ministry of Culture. (2015-2016)<\/p>\n\n\n\n

Professional Development Networks at the Claremont Colleges, Pomona College. Also awarded in 2014. (2015-2016)<\/p>\n\n\n\n

Teaching<\/h2>\n\n\n\n

Humanities 197: Traditional, Experimental, and Interactive Narratives<\/p>\n\n\n\n

Humanities 198: Arundathi Roy: Creative Writer and Political Activist<\/p>\n\n\n\n

Writing 1: Writing Matters<\/p>\n\n\n\n

Writing 1E: Writing as a Second Language<\/p>\n\n\n\n

HSA10 Critical Inquiry: Reading and Writing Race<\/p>\n\n\n\n

HSA10 Critical Inquiry: English with an Accent<\/p>\n","protected":false},"excerpt":{"rendered":"

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